Heavy metal is a school of rock music that developed in the 1970s. The flow of this music is pretty much put the guitar.
The name was conceived by the band Heavy metal Hard Rock Year 60'an Steppenwolf, in their song entitled 'Born To Be Wild "(on the second line of the second stanza).
"I like smoke and lightning Heavy metal thunder Racin 'with the wind And the feelin' that I'm under."
But the term was not used properly until in 1970, when Black Sabbath released their debut album entitled 'Black Sabbath'.
From the 1960's or can be called Blues Rock like Led Zeppelin, AC / DC Classic metal and around the 60s until 70'an or called Classic Rock like Black Sabbath, Blue Oyster Cult, Deep Purple, Alice Cooper. Games Classic metal. His music is more bluesy olehriff controlled.
DOOM METAL
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Doom metal is a form of heavy metal music is very distinctive, having a very slow tempo, low stem guitar and guitar sound thicker or heavier than other metal genres voice. Music and lyrics tend to cause feelings of despair, fear and hope will be the occurrence of death / doom
The genre is very strongly influenced by the work of early Black Sabbath, which has established a prototype for the doom metal with songs titled "Black Sabbath" and "Into the Void". During the early mid 80s, a number of bands from England (Pagan Altar, Witchfinder General) and the band of America (Pentagram, Saint Vitus, Trouble) defines doom metal as a distinct genre.
Inspired largely by the lumbering dirges and stoned, paranoid darkness of Black Sabbath, doom metal is one of the very few heavy metal subgenres to prize feel and mood more than flashy technique (though the latter can certainly be present). Even more indebted to Sabbath than most metal, doom metal is extremely slow, sludgy, and creepy, feeling so heavy it can barely move; its deliberate pace and murky guitars are meant to evoke (what else?) a sense of impending doom. The movement began to take shape in the mid-'80s, as underground bands like the SST label's Saint Vitus, the critically acclaimed Trouble, and Sweden's Candlemass attracted cult audiences for their out-of-fashion, Sabbath-dominated sounds. Trouble and Cathedral helped bring doom metal to a wider (though not mainstream) metal audience during the early '90s, and doom's monolithic darkness quickly made it appealing to a variety of tastes. Doom metal was one of the formative influences on the retro-obsessed stoner metal movement of the '90s, and it was not uncommon for bands to find favor in both camps. Another dominant strain of '90s doom metal -- pioneered by British bands like Paradise Lost, My Dying Bride, and Anathema -- fused Sabbath heaviness with the sounds and sensibilities of goth-metal, plus occasional touches of death metal; the results were sorrowful, gloomy epics. The '90s also birthed a unique doom metal scene centered in New Orleans; the sound of bands like Crowbar and Eyehategod was often described as "sludge metal" because of their heavy debt to early Seattle grunge bands like the Melvins and Soundgarden. Several doom metal bands incorporated progressive tendencies, though this approach was much less widespread.
The genre is very strongly influenced by the work of early Black Sabbath, which has established a prototype for the doom metal with songs titled "Black Sabbath" and "Into the Void". During the early mid 80s, a number of bands from England (Pagan Altar, Witchfinder General) and the band of America (Pentagram, Saint Vitus, Trouble) defines doom metal as a distinct genre.
Inspired largely by the lumbering dirges and stoned, paranoid darkness of Black Sabbath, doom metal is one of the very few heavy metal subgenres to prize feel and mood more than flashy technique (though the latter can certainly be present). Even more indebted to Sabbath than most metal, doom metal is extremely slow, sludgy, and creepy, feeling so heavy it can barely move; its deliberate pace and murky guitars are meant to evoke (what else?) a sense of impending doom. The movement began to take shape in the mid-'80s, as underground bands like the SST label's Saint Vitus, the critically acclaimed Trouble, and Sweden's Candlemass attracted cult audiences for their out-of-fashion, Sabbath-dominated sounds. Trouble and Cathedral helped bring doom metal to a wider (though not mainstream) metal audience during the early '90s, and doom's monolithic darkness quickly made it appealing to a variety of tastes. Doom metal was one of the formative influences on the retro-obsessed stoner metal movement of the '90s, and it was not uncommon for bands to find favor in both camps. Another dominant strain of '90s doom metal -- pioneered by British bands like Paradise Lost, My Dying Bride, and Anathema -- fused Sabbath heaviness with the sounds and sensibilities of goth-metal, plus occasional touches of death metal; the results were sorrowful, gloomy epics. The '90s also birthed a unique doom metal scene centered in New Orleans; the sound of bands like Crowbar and Eyehategod was often described as "sludge metal" because of their heavy debt to early Seattle grunge bands like the Melvins and Soundgarden. Several doom metal bands incorporated progressive tendencies, though this approach was much less widespread.
DEATH METAL movement in Indonesia
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In Indonesia, this genre begins its movement and development in the 1990's with Rotor thrash metal band in Jakarta. The main movements Death Metal Indonesia comes from the emergence of initiatives by the Grindcore band from Malang, Rotten Corpse, who worked for the first time (the unknown) Death Metal music. The appearance and the game will Rotten Corpse Death Metal is a sign of the birth of a new musical individual, named Death Metal. Several other Death Metal bands pioneer in other areas, such as trauma from Jakarta, Insanity and Hallucination from Bandung, Death Vomit from Jogjakarta, Slow Death of Surabaya, then developed with the bands that are considered as a senior because of his experience of each such as: Disinfected, Ancur, Plasmoptysis, and the body of Bandung, Torture in Bury, Funeral Inception of Jakarta and Yogyakarta and Semarang cranial Incisored Grind Buto. Abysal. ROH, Blast Torment of Total Damage from Padang and Bukittinggi.
Death Metal music development in Indonesia has a very good development. Among terusulkannya a central forum of Indonesian Death Metal lovers, who called the forum Death Metal Indonesia, which called Indonesian Death Metal or abbreviated IDDM. Then it also appears Indogrind.net, GUBUG RIOT, staynocase, and others. At present, new bands Death Metal will be voiced 'sounds of death' in the event metal. Death Metal bands in Indonesia now include Dynasty of Waru, Bad Habit, Asphyxiate, Bleeding Corpse, Death Vomit, Kill Harmonic, Grind Buto, Infected Voice, Brain Ass, Hatestroke, Sickmath and so forth.
Development of Death Metal Indonesia after the creation of IDDM, is an indication and the inauguration of Death Metal's groups throughout Indonesia to go on public or show themselves each to the public. As at present, a lot of groups / communities Death Metal Indonesia in their respective regions that have shown themselves on the Internet. These communities is still part of the Indonesian Death Metal / IDDM. IDDM is one of the web interface as the place to exchange ideas and aspirations to the media for advertising / promotion of the album and merchandise. These communities include Malang Force Death Metal, Death Metal Bandung, Bekasi Horde! Death Metal, Jogjakarta Corpse Grinder, Magelang Death Metal Militia, Sukoharjo Death Metal, Death Metal Semarang, Samarinda Bali Death Metal to Death Metal and many more communities throughout Indonesia.
Death Metal music development in Indonesia has a very good development. Among terusulkannya a central forum of Indonesian Death Metal lovers, who called the forum Death Metal Indonesia, which called Indonesian Death Metal or abbreviated IDDM. Then it also appears Indogrind.net, GUBUG RIOT, staynocase, and others. At present, new bands Death Metal will be voiced 'sounds of death' in the event metal. Death Metal bands in Indonesia now include Dynasty of Waru, Bad Habit, Asphyxiate, Bleeding Corpse, Death Vomit, Kill Harmonic, Grind Buto, Infected Voice, Brain Ass, Hatestroke, Sickmath and so forth.
Development of Death Metal Indonesia after the creation of IDDM, is an indication and the inauguration of Death Metal's groups throughout Indonesia to go on public or show themselves each to the public. As at present, a lot of groups / communities Death Metal Indonesia in their respective regions that have shown themselves on the Internet. These communities is still part of the Indonesian Death Metal / IDDM. IDDM is one of the web interface as the place to exchange ideas and aspirations to the media for advertising / promotion of the album and merchandise. These communities include Malang Force Death Metal, Death Metal Bandung, Bekasi Horde! Death Metal, Jogjakarta Corpse Grinder, Magelang Death Metal Militia, Sukoharjo Death Metal, Death Metal Semarang, Samarinda Bali Death Metal to Death Metal and many more communities throughout Indonesia.
how about DEATH METAL
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Death metal is a sub-genre of heavy metal music that evolved from thrash metal in the early 1980's. Some of his trademark song is the theme of violence or death, low-rhythm guitar (downtuned rhythm guitars), fast percussion, and dynamic intensity. Vocals are usually sung with a grunt (death Grunt) or growling death (death growl). Singing technique like this is also often called "Cookie Monster vocals".
Some of the pioneers of this genre is Venom with his album Welcome to Hell (1981) and Death with his album Scream Bloody Gore (1987). Death metal is then developed further by bands like Cannibal Corpse, Morbid Angel, Entombed, God Macabre, Carnage, and Grave.
Then 2000'an era, Death Metal is growing very rapidly. Many of the bands death metal flow dropout became a reformer in metal music. Bands include Inhuman Dissiliency,, Disavowed, Viraemia, Hiroshima Will Burn, Amon Amarth, Inveracity, The Berzeker, Dying Fetus, Condemned, and many more.
Some of the pioneers of this genre is Venom with his album Welcome to Hell (1981) and Death with his album Scream Bloody Gore (1987). Death metal is then developed further by bands like Cannibal Corpse, Morbid Angel, Entombed, God Macabre, Carnage, and Grave.
Then 2000'an era, Death Metal is growing very rapidly. Many of the bands death metal flow dropout became a reformer in metal music. Bands include Inhuman Dissiliency,, Disavowed, Viraemia, Hiroshima Will Burn, Amon Amarth, Inveracity, The Berzeker, Dying Fetus, Condemned, and many more.
